空间、势能与场景:一个非物质文化遗产国际传播的解释框架
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G206

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研究阐释党的二十届三中全会精神国家社会科学基金重大专项“文化遗产系统性保护和统一监管的实现路径和政策支持”(24ZDA080)。


Space, potential, and scene: An interpretive framework for the international communication of intangible cultural heritage
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    摘要:

    全球化背景下,非物质文化遗产国际传播对于推动文明交流互鉴、维护文化多样性、构建人类命运共同体具有重要意义。为解释非遗国际传播的动态过程,探讨其语境、动力与效果问题,提出基于“空间—势能—场景”的探索性分析框架。其中,空间是非遗国际传播的环境基础,决定其内容与边界。势能由空间所孕育,是非遗国际传播的必要条件,影响着不同文化的相对位置和流动的整体趋势。场景则是非遗国际传播的重要实践模式,能够有效实现文化的转译与扩散。以李子柒YouTube非遗系列短视频为例,理论驱动的编码结果表明,其国际传播经历了空间建构、势能生成、场景表达的递进过程,进一步验证了该框架的阐释力。

    Abstract:

    In the context of globalization, the international communication of intangible cultural heritage(ICH) is of great significance for promoting exchanges and mutual learning among civilizations, safeguarding cultural diversity, and building a community with a shared future of mankind. To explain the dynamic process of international communication of ICH and explore its context, driving force and effect issues, an exploratory analysis framework based on “space-potential-scene” is proposed. Space is the environmental basis for the international communication of ICH, determining its content and boundaries. Potential nurtured by space is a necessary condition for the international communication of ICH, influencing the relative positions of different cultures and the overall trend of their flow. Scene is an important practical model for international communication of ICH, which can effectively achieve the translation and diffusion of culture. Taking Li Ziqi’s ICH series of short videos on YouTube as an example, the theory-driven coding results show that its international communication has undergone a progressive process of spatial construction, potential generation, and scene expression, further verifying the explanatory power of this framework.

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涂晓晗,陈波.空间、势能与场景:一个非物质文化遗产国际传播的解释框架[J].中国软科学,2025,(11):87-98

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  • 在线发布日期: 2026-06-01
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